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Interview with Gary Marcus – Author of “Guitar Zero”


When I read the press release, I was immediately interested in Gary Marcus’s new book “Guitar Zero: The New Musician and the Science of Learning” due to my quest to develop a simplified and efficient guitar learning system for adults. Since then, I’ve read the book and wanted to interview Gary to find out more about his experience in learning guitar. The book is about challenging the adage that an old dog can’t learn new tricks.

Using himself as the guinea pig, he sets out to learn guitar at the age of 38, not to become a rock star but a least a performing musician. His contention is that there is isn’t necessarily a cut off age for mastering a new skill since the brain experiences the same processes and changes at age 6 or age 40.

His book is an excellent read that I recommend. Here’s a great quote about the book from Dr. Drew Pinsky(Celebrity Rehab): “Captivating and filled with insight, Guitar Zero is a look at the challenge of personal reinvention by Gary Marcus, one of our leading psychologists. Whether you are a music lover or not, if you car about reaching your own potential, you should read this book.”

Interview with Gary Marcus

1. You’ve said that practicing scales helped you improve as a guitar player, what other concepts/techniques helped you improve the most in your journey thus far?
GM: The most important thing is to find out what your weakness are, and target them. For me, the biggest challenge is rhythm, and the biggest help has been practice with a drum machine.

2. What do you think is the underlying cause or factors that contribute to many beginners quitting after a few lesson or only practicing for a relatively brief period of time? Is it “flow” related or possibly not sticking with it long enough to understand how music works and create their own?
GM: Flow – that feeling of being totally immersed in something, to the point of not even being aware of the time — is a great motivator when you can get it, but not something beginner’s are likely to experience.

I think the biggest problem beginners — especially adult beginners — face is the temptation to give up to soon. Musical instruments are really challenging, and don’t come easily for anyone, but once you’ve seen someone great, it’s easy to get discouraged. I would suggest that beginners focus on savoring their own playing, without getting into a trap of wondering how good they are or how they fare compared to others.

3. I think that a lot of adults live with a dormant dream, be it playing guitar … writing a book … or racing in a triathlon, but rarely act due to family, financial, or just good old fear of failure. What would you suggest to people to find a way to make it happen?
GM: Ask yourself, is there something I do everyday that I wouldn’t miss — say watching television — if I did it a little bit less? Carve yourself twenty minutes a day, and stick with it literally ever day, and you can make real progress on almost any project.

That doesn’t mean you’ll win a triathlon, or cut a gold record, but you can exchange a lot of time doing things that don’t really add up into something lasting (like minutes watch tv) for a new skill that will bring considerable satisfaction.

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New Songs 2012 – Lots Of Guitars! – C.KHiD Interview

Hip Hop and Guitars have long gone together and in 2011, rapper C.KHiD discussed this with Guitarist Nation. Today, we revisit the popular new Hip Hop artist to give his new views on our favorite instrument. Here’s the interview with C.KHiD …

GN: What’s Up C.KHiD, lets talk about your new songs and Hip Hop 2012. Can we expect more guitar sounds in your music?
C.KHiD: Of course. I’ve been working with Koncept Beats founder to get more live guitar sounds included in my instrumentals. Actual electric and acoustic guitars are recorded and layered into my new songs on the next album.

GN: Who are the Guitar players you guys are collaborating with?
C.KHiD: I’ve done features and my own music, so quite a few. Koncept Beats is responsible for the hiring of the guitartist layered into his rap instrumentals. I did the song, “Good Day”, with “Cash Wade”. He played an acoustic live.

GN: Late last year, you had a few new Hip Hop songs that used the Guitar. The one I remember is “Wont Stop”. How is that song and music video doing today?
C.KHiD: It’s growing faster than most my other Hip Hop videos. Almost 200,000 views. People are demanding it get radio play.

GN: A favorite guitartist can change depending on how you feel. Who’s your favorite guitar player today?
C.KHiD: Right now, it would have to be Bob Marley. To be so successful with a positive message is hard. I think only the Beatles and Michael Jackson can rival his success. I love Bob’s melodies and find myself hypnotized by them lately.

GN: Who do you feel currently has the best guitar usage in the New Hip Hop scene?
C.KHiD: The latest Hip Hop song with a guitar that stands out to me is Lil Wayne “How to Love” probably. Between that and the one song from Chris Brown. I can’t remember it though.

GN: What new music projects do you have in the works?

C.KHiD: My new music video “It Is What It Is” just launched on YouTube. It’s received 1000+ plays lately and hopefully that continues all year. It’s the first video to promote my new album “Black Box Dreams 6″, which should be virally spreading the web this year.

I shot the music video “14U” featuring Livesosa, a super talented artist. It will be released whenever I give the “green light”.

This week I finished the video shoot for my new rap song “One Fast Life”, which was directed by Shawn Ouwinga. He’s an incredible video director and the visual for it will be pretty insance. More to come from us; I’m addicted to working with him [pause].

GN:
C.KHiD: Thanks! Much love to the Guitarist Nation and hopefully I’ll be back next year again for the Hip Hop 2013 Kick-off.

— Check out C.KHiD’s Video for “It is What it is” below…

Interview with Singer-Songwriter Jon Prophet

I talked with Jon Prophet recently, he’s a guitar player, singer-songwriter from Arizona. He shared some great insight on his journey thus far as a musician … his guitars, his musical influences, producing his album “New Religion“, and his inspiration and motivation for succeeding in music and life. With a bit of luck, look for his song, “Painted Horse” – see the video below, to be featured in a Harley- Davidson ad.

Interview with Jon Prophet

1. You mentioned that you’re a guitar buff, and have about 7 guitars at any one time, what are they and which ones are your favorites?
JP: I had an old Kay guitar that I loved and I wished I still owned it when I first started taking guitar lessons. That was my second guitar and my first electric guitar. I usually own some combination of a few acoustics; steel string, nylon string and maybe a 12 string I’ve owed a few Reso-Phonics over the years as well. Usually I’ll get lucky and find one of the cheaper brands that just plays excellent. My main axe for may years was a Tobacco Sunburst Fender American Strat from the late 90s that had the rolling nut which I thought was a brilliant edition to the design.

I’ve owned several electric Epiphones over the years; SGs, various hollowbodies and Les Pauls. But I never really bonded with them for some reason so I ended up trading them out. My favorites now are Fender Telecasters and the Republic Reso-Phonics. I like having a variety of sounds to pull from when writing so I borrow a lot of gear from friends who tend to collect way more than I do for the sake of writing. I also have an Epiphone acoustic with a nice tobacco sunburst finish that I do a lot of writing on. Each instrument inspires something different from me.

2. When you started getting serious about learning to play guitar, did you take lessons and what did you make the most progress with practicing?
JP: I really took it seriously when my school offered a guitar class when I was 15. The teacher was an old school bass player and was very proficient as such and as a band teacher but he certainly was no inspiration as a guitar player so I just learned theory from him and would come home and practice nearly 8 hours a day for about 2 years. I’d listen to the radio and jam along with the jazz station and the late night blues hour and then rock out to my favorite bands while trying to decipher the tab in the various guitar player magazines I’d collect.

I think at the end of the day you just have to put in the time on the instrument. That’s it! The second thing is that you have to truly and critically listen to music so you can hear what’s actually happening in there compositionally. What makes a great song great? If you break it down, you can start to get a sense of how and why it works. Of course there is a certain magic that is hard to pin-point but that, I think, is something you have to feel your way through.

3. For your album, A New Religion, can you share how it came to be? … From conception, to songwriting, to producing it.

JP: I was doing some recording work with a friend of mine in his garage studio and trying to get better recordings of the demos I was doing in my own home studio. (As an aside the pure acoustic tracks on A New Religion were actually recorded in my tile bathroom in the house I was living in at the time.) Anyway, I was also gigging out with my drummer David Cates and a sort of rotating line up of bassists around town.

At one of our shows, we were approached by a local PR person who loved the sound and wanted to meet with us so we took the meeting and he said he wanted to represent us. He didn’t really know the music business but he loved what we did and he had some contacts so at that point, that was enough. He ended up working out a deal for us to record at a really top notch studio called Chaton.

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Richard Hoover of Santa Cruz Guitars Shares His Passion

I recently decided to start making my own custom guitar. The timing of this idea could not have been better as I had a chance to talk with luthier and founder of Santa Cruz Guitars, Richard Hoover. He was very interesting to talk with and shared his thoughts on a number of topics surrounding the business of boutique steel-string guitar making and and nearly 4 decades doing what he loves.

Richard’s interest in guitar making didn’t start with the intent of starting a business, but rather a desire to craft the best guitars possible, using the finest materials and techniques. Santa Cruz Guitars was born in 1976, a boutique steel string maker built upon the principals and ethics of lutherie traditions. When he started out, Richard realized that if he tried to completely figure out how to build a guitar on his own it would take far to long. So he turned to the lutherie tradition of the violin and mandolin. He traveled and learned hand-on working with experienced luthiers.

“There was no internet, so the information we have available today and the ease of access we take for granted … it simply didn’t exist.” He’s never heard guitar music that he didn’t like. His musical interest ranges from singer/songwriters, to classical, to country, to rock. These days, Richard spends about 70% of his time promoting SCGC, 10% sourcing materials, and 20% in the shop.

*click on image to enlarge

A Strong Start
Early on, flatpicking guitarist Tony Rice introduced him to the bluegrass crowd. Richard ran and ad in a bluegrass magazine, it was a picture of their F Model guitar and the address for SCGC. Eric Clapton saw the ad and wrote a letter asking for a guitar. How about that for bang for your buck on advertising?

What Richard Always Wanted to Be
“A cowboy.” I’m a big fan of Don Edwards so when I noticed that he was on the SCGC Players Page, I mentioned that to Richard and he said that he always wanted to be a cowboy. To him, Don Edwards reflects that childhood dream.

About Using Sustainable-Yield Materials
SCGC is clearly dedicated to building the best guitars with best materials and processes, but Richard also believes in sourcing tone woods in a responsible and sustainable manner through strong supplier relationships. “By using reclaimed wood, we get all the tonal benefits of old, aged wood, while being part of the solution instead of part of the deforestation problem.

Future Projects
A project in the works that’s dear to Richard heart is working with a Dr. of Acoustic Physics to scientifically quantify what makes the guitar sound good.

Richard’s Advice on Building Your Own Guitar
“Take advantage of the successes and mistakes others have made. The information is at most everyone’s fingertips online, so use it. Build confidence through practice.”

It was a pleasure to talk with Richard and I highly recommend that you check out Santa Cruz Guitars, and plan on attending the next lutherie workshop that he puts on.

    Learn more about Santa Cruz Guitars, visit
    SantaCruzGuitars.com

Blazing the Road to Guitarcadia with Xander Demos


He was just nominated for best guitarist on Iron City Rocks.com of Pittsburgh, Pennsylvania and he didn’t even know he was candidate. Xander Demos be opening for Uli Jon Roth(Scorpions, G3) and Leslie West (Mountain,) at the Altar Bar in Pittsburgh on Feb 2. He gigs with his band “Into the Arena”, he has a full length album “Guitarcadia” in the works as well as his own signature McNaught guitar. On top of that, he does guitar reviews for NStuffMusic.com and he’s planning and instructional DVD sometime down the road.

It would seem that Xander is a pure guitarist, but he also works as a contract software engineer. It pays the bills while pursuing his passion with fervor. His goal is to carve his niche as an instrumental guitarist alongside his influences including Steve Vai, Eric Johnson, and Shawn Lane. It’s hard to pin him in a corner as to the “type” of guitarist he is, but it surely includes metal and rock. Check out some of his videos and you’ll witness speed and efficiency but also an awareness of communicating the song/hook, and that’s by Xander’s design.

I had a chance talk with Xander about a number of things including his background, endorsements, what beginners should learn, favorite guitarists, and future plans.

Check out this track his upcoming “Guitarcadia” album … “Right Angles”

Get the mp3:
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